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DA VINCI CODE 21-15

Langdon was suddenly feeling more certain about this, and yet the conclusion left an obvious gaping lapse in the logic of Saunière's actions.

Why me? Langdon wondered, heading down the hall. Why was Saunière's dying wish that his estranged granddaughter find me? What is it that Saunière thinks I know?

With an unexpected jolt, Langdon stopped short. Eyes wide, he dug in his pocket and yanked out the computer printout. He stared at the last line of Saunière's message.

P.S. Find Robert Langdon.

He fixated on two letters.

P.S.

In that instant, Langdon felt Saunière's puzzling mix of symbolism fall into stark focus. Like a peal of thunder, a career's worth of symbology and history came crashing down around him. Everything Jacques Saunière had done tonight suddenly made perfect sense.

Langdon's thoughts raced as he tried to assemble the implications of what this all meant. Wheeling, he stared back in the direction from which he had come.

Is there time?

He knew it didn't matter.

Without hesitation, Langdon broke into a sprint back toward the stairs.

FOR CHAPTER 22 CLICK HERE.

DA VINCI CODE 21-14

P.S. Find Robert Langdon.

Saunière had written Langdon's name on the floor, commanding Sophie to find him. But why? Merely so Langdon could help her break an anagram?

It seemed quite unlikely.

After all, Saunière had no reason to think Langdon was especially skilled at anagrams. We've never even met. More important, Sophie had stated flat out that she should have broken the anagram on her own. It had been Sophie who spotted the Fibonacci sequence, and, no doubt, Sophie who, if given a little more time, would have deciphered the message with no help from Langdon.

Sophie was supposed to break that anagram on her own

DA VINCI CODE 21 -12

To the right gaped a murky restoration studio out of which peered an army of statues in various states of repair. To the left, Langdon saw a suite of studios that resembled Harvard art classrooms—rows of easels, paintings, palettes, framing tools—an art assembly line.

As he moved down the hallway, Langdon wondered if at any moment he might awake with a start in his bed in Cambridge. The entire evening had felt like a bizarre dream. I'm about to dash out of the Louvre... a fugitive.

Saunière's clever anagrammatic message was still on his mind, and Langdon wondered what Sophie would find at the Mona Lisa... if anything. She had seemed certain her grandfather meant for her to visit the famous painting one more time. As plausible an interpretation as this seemed, Langdon felt haunted now by a troubling paradox.

DA VINCI CODE 21-10

"I'll come."

"No! We don't know how long the Grand Gallery will stay empty. You have to go."

Langdon seemed hesitant, as if his own academic curiosity were threatening to override sound judgment and drag him back into Fache's hands.

"Go. Now." Sophie gave him a grateful smile. "I'll see you at the embassy, Mr. Langdon."

Langdon looked displeased. "I'll meet you there on one condition," he replied, his voice stern.

She paused, startled. "What's that?"

"That you stop calling me Mr. Langdon."

Sophie detected the faint hint of a lopsided grin growing across Langdon's face, and she felt herself smile back. "Good luck, Robert."

When Langdon reached the landing at the bottom of the stairs, the unmistakable smell of linseed oil and plaster dust assaulted his nostrils. Ahead, an illuminated SORTIE/EXIT displayed an arrow pointing down a long corridor.

Langdon stepped into the hallway.